Irvington, New Jersey: Amistad Gallery, [late 1980s?]. Unbound. Advertisement. One octavo sheet folded to make four pages and printed on three. Measuring approximately 3¾" x 8¼" closed. Fine. The interior prints information about the *Amistad* Mutiny as well as the gallery, which was located in Irvington, New Jersey, and boasted..... More

Boston: Museum of the National of Afro-American Artists, 1982. Unbound. Measuring 11" x 15½". Bumped and creased corners, along with some light soiling, very good. Broadside for an exhibit at the Museum of the National Center of Afro-American Artists in 1982. The museum is located at Abbotsford, a late-19th Century..... More

(Andover, Massachusetts / New York: Addison Gallery of Americana Art / The Studio Museum in Harlem, 1999). Softcover. Exhibition announcement. [12]pp. Illustrated. Stapled self-wrappers. About fine with a tiny bit of wear. Announcement of the exhibition that would show in eight East Coast museums between 1999 and 2001. Wit a...... More

Philadelphia: The Ile-Ife Museum of Afro-American Culture, 1974. Unbound. Exhibition invitation. Card folded once along the topedge. Rubbed and with ink scribble, near fine. An invitation to the opening night exhibition of paintings and prints by Saint Soleil artists on October 13, 1974. The movement, created by Jean-Claude Garoute and..... More

[No place: no publisher, circa 1900]. Unbound. Thin card die-cut moveable cut into the shape of a young Black girl with a short yellow dress, a big blue bow and golden earrings, holding a heart to her chest with one hand, and a Golliwog doll in the other. The card..... More

[No place: no publisher, circa 1870]. Unbound. Edition unknown. Three separate images measuring approximately 5" x 3.25". A little toning and a couple of pinholes, very good or better. The three images depict 1. A number of very well dressed Black people promenading with parasols in front of their more..... More

New York: Parker/Bratton Gallery, 1987. Softcover. Exhibition catalog. Small octavo. [8]pp. Stapled illustrated wrappers. Touch of edgewear, near fine. and curated by Deirdre Bibby. Amos was the lone female of the art collective Spiral, which was founded by prominent African American artists Romare Bearden, Charles Alston, Norman Lewis, and Hale..... More

Seattle: The Walter O. Evans Foundation for Art and Literature in association with University of Washington Press, (1999). Softcover. First edition. Quarto. 165pp. French flap wrappers. Fine. More

New York: June Kelly Fine Arts, 1982. Unbound. Postcard. Color image printed on one side. Hint of edgewear, near fine. A promotional postcard of Romare Bearden's painting, "Mother and Child" from June Kelly, the artist's manager for 15 years, who would go on to open the June Kelly Fine Arts..... More

San Francisco: Pomegranate Artbooks, (1994). Hardcover. First edition. Foreword by David C. Driskell. Preface by Catherine Bernard. Introduction by Edmund Barry Gaither. Quarto. xvii, 142ppp. Heavily illustrated. A trifle worn else fine in modestly worn, very good or better dust jacket. Briefly Inscribed by Loïs Mailou Jones on the title..... More

Minneapolis: Walker Art Center, 1995. Softcover. First edition. Small quarto. 127pp. Heavily illustrated. Printed wrappers with very light wear, topedge a bit foxed, near fine. Signed by Bey on the first page. Published in conjunction with the exhibition of the same name. More

New York: David Beitzel Gallery, 1996. Unbound. Exhibition postcard. Measuring 7" x 5". Illustrated with Bey's "Lakesha, Jackie and Crystal (II)." Fine. More

New York: Kenkeleba Gallery, 1984. Softcover. Exhibition catalog. Foreword by Kellie Jones. Square octavo. [36]pp. Stapled wrappers. Hint of spine sunning and corners a touch bumped, near fine. A catalog for a showing of work by African-American sculptures - curated by artist Howard McCalebb - held at the Kenkeleba House..... More