[No place]: F.A.S. Photo from Life, [circa 1920]. Unbound. Vintage chromolithograph illustration on stiff cardboard. Tiny production code in lower margin: "7784." Measures approximately 6" x 8¼". Margins seem very slightly uneven but doesn't appear to be trimmed, else about fine. A Black mother sits in a craftsman-style chair in..... More

New York: June Kelly Fine Arts, 1982. Unbound. Postcard. Color image printed on one side. Hint of edgewear, near fine. A promotional postcard of Romare Bearden's painting, "Mother and Child" from June Kelly, the artist's manager for 15 years, who would go on to open the June Kelly Fine Arts..... More

New York: Schomburg Center for Research in Black Culture, 1988. Softcover. Exhibition catalog. Foreword by Howard Dodson. Introduction by Deidre Biddy. Oblong quarto. 56pp. Stapled illustrated wrappers. Fine. Guide to an exhibition of 42 contemporary artist based in the Harlem area in the realms of painting, sculpting, photography, print making..... More

[New York?]: 1948. Unbound. Two original illustrations. Each image measuring approximately 8" x 10" on 10" x 12" paper. Ink on thick paper, one with the application of Zip-A-Tone dots to a chair and blotter. Pinholes in the top corners, a bit of wear and soil from use, each with..... More

New York: Bodley II, 1982. Unbound. Postcard. Illustrated on one side with a pencil drawing. Touch of edgewear to the thin paper and some rubbing, near fine. An invitation to the private opening of an exhibition of works by African-American artist Louis Delsarte, which ran from February 20 - March..... More

New York: The Museum of Modern Art, (2015). Hardcover. First edition. Folio. 191, [1]pp. Heavily illustrated. Fine in fine dust jacket. More

Purchase, New York: Neuberger Museum of Art, State University of New York at Purchase, (1993). Softcover. First edition. Essays by Michael Brenson, Josephine Gear, and Lowery Stokes Sims. Quarto. 143pp. Heavily illustrated. Front cover with some impressioning and wear, foredge very slightly rippled, very good or better. Inscribed by Edwards..... More

New York: Salons of America, Inc. / The American Art Association, Anderson Galleries, 1936. Softcover. First edition. Octavo. Unpaginated (approximately 48pp.). Stapled brick wrappers with front cover illustration by Yasuo Kuniyoshi. Ownership Signature of one of the exhibiting artist, African-American artist Rex Gorleigh ("Rex Gorleigh, New York, May 5, 1936")..... More

New York: The Studio Museum of Harlem, 1986. Softcover. Exhibition catalog. Square small octavo. [8]pp. Stapled wrappers. Fine. The second of a two-part exhibit on the latest acquisitions by The Studio Museum of Harlem the form of several collections from Geoffrey Holder, Ghana Franklin William, the Stebich Collection and the..... More

(Newark, Delaware): University Gallery, University of Delaware, 1993. Softcover. Exhibition catalog. Slim small quarto. [24]pp. Illustrated in black and white. Staple wrappers with a tiny bit of sunning at the spine else a fine copy. More

Springfield, Missouri: Sandy USA, 2007. Softcover. Trade catalog. Slim octavo. [12]pp. Stapled self-wrappers. Heavily illustrated in color. Fine with a tiny bit of wear; the space for an address on the final page is unused. Advertises approximately 150 figurines, miniature buildings, clocks, frames, mugs, magnets, jars, spoon rests, and more..... More

New York: Whitney Museum of American Art, (2011). Hardcover. First edition. Foreword by Adam D. Weinberg. Essays by Hilton Als, Okwui Enwezor, Saidiya Hartman, Bennett Simpson, Franklin Sirmans, and a conversation between Ligon and Thelma Golden. Quarto. 303pp. Fine in very lightly scuffed, about fine dust jacket with a couple..... More

Chicago: Department of Photography, Columbia College, (1992). Hardcover. First edition. Foreword by Marilyn Houlberg. Interview by Alan Cohen. Oblong quarto. xvi, 137pp. Fine in rubbed and lightly edgeworn, very good dust jacket with a very short tear on the cover panel. Photographs. More