New York: Bates, Reed & Cooley, [no date - circa 1880]. Softcover. First edition. Quarto. 8pp., with five illustrations. String-tied wrappers with faded owner stamp on front cover. Very good with two light creases from being folded, tears and nicks at the foredge and some splitting at the spine ends..... More

New York: Anson D.F. Randolph & Co., (1886). Hardcover. New and enlarged edition. Illustrated. Red cloth stamped in black and gilt. Penciled contemporary gift inscription, binding a bit loose, boards with wrinkles and small stains, edges worn, good only but interior clean. More

Baltimore: Geo. Willig, Jr., [circa 1833]. Softcover. Unknown edition. Folio. Single bifolium making four pages. Neatly separated along the fold, foxing throughout, a dampstain on the fore edge of the front cover affecting the margin of the verso, and edgewear, a complete but good only copy. For voice and piano..... More

New York: Harper & Brothers, 1888. Hardcover. First edition. 12mo. 136, [4] ads. Wood-engraved frontispiece portrait, full-page and in-text illustrations by "Boz". Publisher's light amber cloth with lettering and pictorial design stamped in yellow and maroon on the front board and spine. Near fine. More

New York: G. Schirmer, 1903. Softcover. First edition. Quarto. Single bifolium with a single-sheet-insert making six pages. Price stamp on the front cover, soiling to the exterior, and light bumping to the corners, still a very good and complete copy. For voice and piano. Plate number, 16779. The back cover..... More

Washington D.C. H. Ebereach, 1880. Softcover. Sheet music. Folio. Single bifolium with a single-sheet-insert making six pages. Edgewear and the exterior lightly soiled, still a complete and very good copy. For voice and piano. This piece is unrecorded by *OCLC* and appears to be equally scarce in the trade. More

Philadelphia: Oliver Ditson Company / Theodore Presser Co., [circa 1927]. Softcover. Later printing. English version by Aubor Forestier. German version by F. von Holstein. Quarto. Text in English and German. Single bifolium making four pages. Creasing to the bottom corner of the back cover, toning and light edgewear, very good..... More

[no place]: New Jersey Society Sons of the American Revolution, (1906). Hardcover. First edition. Quarto. 248pp. Small owner label and another ink name, aA little foxing on the foredge, else near fine. Includes short biographical sketches of the authors. More

New York: A. Wessels Company, 1901. Hardcover. First edition. Edited by Helen Kearny Vreeland. Tall octavo. Blue cloth stamped in gilt. Two small bookplates on front pastedown, a little spotting on the boards, near fine. Freneau was born in New York City; graduated from Princeton in 1771. Scarce. More

New York: Atwill's Music Saloon, 1835. Softcover. First edition. Folio. Single sheet printed on the recto and folded in half making two pages of content. Notched and worn along the fold from once being bound within an album, largely separated along the fold, foxing and offsetting, two tape repairs on..... More

New York: Firth & Hall, [circa 1832 - 1847]. Softcover. Unknown edition. Folio. Single bifolium making four pages. Notched and worn along the fold from once being bound within an album, mostly separated along the fold, offsetting throughout, a dampstain to the bottom left corner of the front cover affecting..... More

New York: E. Riley, [circa 1819 - 1831-. Softcover. Unknown edition. Folio. Originally two nested bifolia making eight pages. Notched and worn along the fold with paper remnants and exposed thread from once being bound within an album as a result the bifolia remain bound together, light foxing and offsetting..... More

Boston: James L. Hewitt & Co. at their Music Saloon, [circa 1826 - 1829]. Softcover. Unknown edition. Folio. Single bifolium making four pages. Notched and worn along the fold from once being bound within an album, minor edgewear, and foxing and soiling throughout, still a complete and very good copy..... More