[Sheet music]: I Believe You, My Boy
London: C. Sheard, [circa 1855?]. Softcover. First edition. Folio. 7, [1]pp. Color lithograph Illustrated cover. Modest age-toning and soiling, near fine. Neither *OCLC* or *Copac* locate a copy. More
London: C. Sheard, [circa 1855?]. Softcover. First edition. Folio. 7, [1]pp. Color lithograph Illustrated cover. Modest age-toning and soiling, near fine. Neither *OCLC* or *Copac* locate a copy. More
New York: Atlantic Recording, 1968. Unbound. Original 33 1/2 rpm vinyl record. Fine in a printed paper sleeve in a near fine pictorial cardboard sleeve with rubbing in original cellophane wrapper. More
Leipzig: C.F. Peters, [circa1868]. Hardcover. "Edition Peters". Two volume set. Quartos. 205pp., 73pp. Decorative red cloth stamped in gilt and black. Corners lightly rubbed, spines lightly sunned, a near fine set without dustwrappers presumably as issued. More
London: Novello, (1925?). Hardcover. Novellos' Original Octavo Edition. Small quarto. 88pp. Gilt spine titles. All edges gilt. Edited, and the pianoforte accompaniment revised, by Ebenezer Prout. The English version newly translated and adapted by Rev. J. Troutbeck. Very good with a slightly darkened spine and a soft bump at the..... More
New York: Columbia, 1974. Unbound. 4 Original 33 1/2 RPM vinyl records. All records fine in unprinted paper sleeve in a very good box with rubbing and faint spotting with album information taped to the front of the box. More
[No place: no publisher, no date]. Softcover. Original promotional brochure. Photographs by Ted Russell, Roy De Carava, David Rubinger, UPI Photos, and Dorothy Gunn. Oblong quarto. [24]pp. Profusely illustrated from black-and-white photographs. Stapled wrappers. Edgewear and some creasing to the wrappers, very good. Talks about Belafonte's music, his life, and..... More
(Santa Ana, California): Winged Note Press, (1996). Softcover. First edition. Printed wrapper. Light rubbing, a near fine copy. More
Boston: Peter Edes for David West, 1793. Hardcover. First edition. Octavo. 301, [3]pp. Small contemporary owner's signature on the title page in neat ink. Contemporary full sheep, light brown morocco spine label. Wear to the board edges and joints, very good, with toning to the text pages. Neat contemporary marginal..... More
San Francisco: Paul Elder and Company, 1910. Softcover. First edition. Illustrated by Rita Bell James. Quarto. Illustrated stapled wrappers. [6], 28pp. Some light edgewear to the wrappers, else near fine. Inscribed on the front free endpaper by Carrie Stone Freeman. Features ten children's songs, all for voice and piano. Carrie..... More
New York: Big Apple Performing Arts, 1986. Softcover. Periodical. Small quarto. 40pp. Pictorial stapled wrappers. Light edgewear, a couple tiny creases on wraps, very good. More
New York: Dodd, Mead and Company, 1897. Hardcover. First American edition. 302pp. Translated from the French by Ellen Orr. Illustrated with black and white plates. Slightly cracked from hinge, some edgewear, and previous owner name on the front free endpaper else very good. More
New York: G.P. Putnam & Co., 1853. Hardcover. First edition. Lyrics by W.H. Bellamy. Music by C.W. Glover. Tall octavo. 51pp. Publisher's brown cloth stamped in blind and titled and decorated in gilt. Foxing throughout the text, a little light wear on the boards, else very good or better. Includes..... More
London: Oxford University Press, 1927. Softcover. First edition. Folio. 4pp. Sewn wrappers. Internal and external tape repairs along the length of the spine, thread of spine a bit loose, and a music shop stamp on the front wrapper and page one, very good. For voice and piano. One wonders whether..... More
(Berkeley, California: The Last Gasp of San Francisco, May 1985). Softcover. First edition. Quarto wrappers. Three-inch dampstain on bottom portion of pages and wrappers, thus good only. More
New York: Oxford University Press, 1972. Hardcover. Second edition. 286pp. Illustrated from black and white photographs. Toning on the boards else near fine in a very good dust jacket with toning, rubbing, and edgewear. More
[Cambridge, Mass.]: Harvard Lampoon, 1912. Unbound. Cartoon illustrated broadside, unprinted on verso. Approximately 15" x 10.75". Signed "Benchley" in print in lower right corner. Chip in lower right margin, paper remnant on verso of upper left corner with resulting slight stain on recto where it was removed from a scrapbook..... More
New York: Dodd, Mead & Company, 1956. Hardcover. Later printing. Illustrated with black and white plates. Decorations by George Gillett Whintey. Very good ex-library copy with the usual markings, soft toning along the top and bottom edges, and a slightly faded spine. Remnants of a dustwrapper laid in. More
New York: Edition Musicus, 1952. Softcover. First edition. Quarto. Single bifolium with a single sheet insert making six pages. Light rubbing to the exterior, else near fine. For voice and piano. Plate impression, "RB1-4," *OCLC* locates five holdings. More
New York: Saint Thomas Church, 1976. Softcover. Tall thin quarto. [8]pp. Printed self-wrappers. Slightly of center vertical crease, else near fine. Program featuring the Saint Thomas Choir School consisting of boys in grades five through eight. More
New York: Coward-McCann, (no date - circa 1950). Hardcover. Second edition. Illustrations by Kenneth Green. One preliminary page lacking, else near fine in near fine dustwrapper. More
London: Ernest Benn, (1947). Hardcover. Second printing. Fine in a fine dustwrapper. More
New York: Columbia Records, 1962. Unbound. Original 33 1/2 RPM vinyl record. Very good with faint scratches in a printed paper sleeve in a very good pictorial cardboard sleevewith toning, creasing, and rubbing. The record got to #5 on Billboard and was certified platinum and was Bennett's best selling record..... More
New York: Columbia, [1971]. Softcover. Original stereo 33 1/3 rpm vinyl album. Fine in a very good illustrated cardboard sleeve with bumping to the top edge and corners, rubbing, and some pen on the back cover. More
New York: Columbia, [1971]. Softcover. Original stereo 33 1/3 vinyl album. Light wear from playing, else near fine in a very good illustrated cardboard sleeve with rubbing, light edgewear, and bumping to the corners. More