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Classic Book Cards: Complete Set

First editions. Three sets. Fine. Collectible book catalogs from Between the Covers and Biblioctopus. Each of the three sets of Classic Book Cards contains 76 unique rare book trading cards, each card featuring one of the best first editions in the world, with a picture on the front and "stats" on the back. Includes mint copies, dedication copies, presentation copies and author's copies of such classics as Gone With the Wind, The Catcher in the Rye, The Sound and the Fury, The Great Gatsby, Huck Finn, Moby-Dick, The Wizard of Oz, The Lord of the Rings and many more. Each set is attractively packaged as a faux miniature book in an illustrated wraparound cover and clear plastic case. 228 unique book cards total (some representing different rare editions of the same title), plus three checklist cards. A great gift for bibliophiles. $50 postpaid within the US.
The complete set includes:
Abbey's The Brave Cowboy (# 124)
Anderson's Winesburg Ohio (# 83), Beyond Desire (# 205) and Death in the Woods (# 149)
Arnow's Mountain Path (# 194)
Asimov's Foundation Trilogy (# 180)
Auster's City of Glass (# 58)
Baldwin's Go Tell It on the Mountain (# 57)
Barrie's Peter and Wendy (# 172)
Baum's The Wonderful Wizard of Oz (#s 152 & 165), The Daring Twins (# 130) and The Tin Woodman of Oz (# 106)
Beckett's Waiting for Godot (# 46)
Bellow's The Dangling Man (# 140)
Benchley's Jaws (# 30)
Bloch's Psycho (# 147)
Boccaccio's The Decameron (# 159)
Bowles' The Sheltering Sky (# 111)
Bowles' Two Serious Ladies (# 103)
Bucks The Good Earth (# 160)
Burgess' A Clockwork Orange (# 191)
Burroughs' Junkie (# 91) and The Naked Lunch (# 8)
Burroughs' Tarzan of the Apes (# 162), The Mucker (# 142), The Warlord of Mars (# 221), and The War Chief (# 60)
Butler's Pigs is Pigs (# 34)
Cain's The Postman Always Rings Twice (# 88)
Camus' The Plague (# 136) and The Fall (# 48)
Carter's The Rebel Outlaw: Josey Wales (# 218)
Carver's Will You Please Be Quiet Please? (# 72)
Chadwick's The Ball Player's Chronicle (# 97)
Chandler's The Big Sleep (# 166), The High Window (# 85), The Lady in the Lake (# 223), The Little Sister (# 144), The Long Goodbye (# 35) and Playback (# 207)
Christie's Towards Zero (# 40)
Collins' The Woman in White (# 168)
Connell's Mrs. Bridge (# 45)
Conrad's Lord Jim (# 20)
Conroy's The Boo (# 24)
Cooper's The Pathfinder (# 78)
Crane's The Red Badge of Courage (# 7)
Dickens' Nicholas Nickleby (# 36), A Christmas Carol (# 84), The Battle of Life (# 190), American Notes (# 146) and A Tale of Two Cities (#s 15 & 179)
Douglass' Narrative of the Life of Frederick Douglass (# 161)
Doyle's The Hound of the Baskervilles (# 22) and The Return of Sherlock Holmes (# 183)
Du Bois' The Souls of Black Folk (# 225), The Quest of the Silver Fleece (# 116), and Black Reconstruction (# 27)
Dunbar's Oak & Ivy (# 74)
Eliot's Prufrock (# 3), The Waste Land (# 87), Poems 1909-1925 (# 145) and Four Quartets (# 64)
Faulkner's The Marble Faun (# 201), Mosquitoes (# 96), Sartoris (# 170), The Sound & the Fury (# 16), As I Lay Dying (# 42), Dr. Martino (# 185), These 13 (# 26), Absalom, Absalom! (# 222), The Hamlet (# 120) and Go Down Moses (# 138)
Fauset's The Chinaberry Tree (# 200)
Fitzgerald's The Great Gatsby (# 79) and Tender Is the Night (# 157)
Flaubert's Madame Bovary (# 104)
Fleming's Casino Royale (# 77), Moonraker (# 73), From Russia With Love (# 208), Dr. No (# 151), Goldfinger (# 112), Diamonds Are Forever (# 197) and You Only Live Twice (# 167)
Forster's A Passage to India (# 107)
Frazier's Cold Mountain (# 31)
Garcia Marquez's No One Writes to the Colonel (# 10)
George Gershwin's Song Book (# 219)
Ginsberg's Howl (# 227)
Gordon's Penhally (# 210)
Gray's Lanark (# 150)
Greene's The Man Within (# 90)
Groom's Forrest Gump (# 123)
Haggard's King Solomon's Mines (# 53), She (# 32) and Cleopatra (# 141)
Hale's The Man Without a Country (# 11)
Hammett's Red Harvest (# 82) and The Maltese Falcon (# 76)
Hardy's Tess of the d'Urbervilles (# 2)
Heinlein's Rocket Ship Galileo (# 132) and Starship Troopers (# 52)
Hemingway's Three Stories & Ten Poems (# 181), in our time (# 212), In Our Time (# 94), A Farewell to Arms (#s 115 & 158), To Have and Have Not (# 173), Across the River and Into the Trees (# 137) and The Old Man and the Sea (# 1)
Hesse's Demian (# 129) and Steppenwolf (# 226)
Highsmith's Strangers on a Train (# 95) and The Talented Mr. Ripley (# 211)
Hilton's Lost Horizon (# 196)
Hurston's Jonah's Gourd Vine (# 125) and Their Eyes Were Watching God (# 43)
Huxley's Brave New World (# 203)
Ibsen's John Gabriel Borkman (# 41)
James' The Portrait of a Lady (#s 25 & 220) and The Ambassadors (# 135)
Joyce's Dubliners (# 187) and Finnegans Wake (# 44)
Kafka's The Metamorphosis (# 101) and Amerika (# 29)
Kennedy's Profiles in Courage (# 55)
Kerouac's The Town and the City (# 54), On the Road (#17 ), and Dr. Sax (# 199)
Kesey's One Flew Over the Cuckoo's Nest (# 153)
Kierkegaard's Sickness Unto Death (# 59)
Kinsella's Shoeless Joe Jackson Comes to Iowa (# 119)
Knight's Lassie Come Home (# 189)
Lang's Fairy Books (# 198)
Lawrence's The Trespasser (# 9)
Lewis' The Innocents (# 105) and Babbitt (# 133)
Lewis' The Voyage of the Dawn Treader (# 202)
Lincoln's Emancipation Proclamation (# 175)
London's The Call of the Wild (# 5)
Lovecraft's The Outsider and Others (# 176)
Lovelace's King Kong (# 184)
Lowry's Under the Volcano (# 121)
Malamud's The Natural (# 23)
Masters' Spoon River Anthology (# 224)
Maugham's The Making of a Saint (# 148)
Melville's The Whale (# 38), Moby-Dick (# 39) and The Confidence Man (# 61)
Miller's Death of a Salesman (# 92)
Miller's Tropic of Cancer and Tropic of Capricorn (# 114)
Milne's When We Were Very Young (# 215) and Winnie the Pooh (# 216)
Mitchell's Gone With the Wind (# 108)
Morrison's The Bluest Eye (# 143)
O. Henry's Strictly Business (# 122)
O'Connor's A Good Man Is Hard to Find (# 134)
O'Flaherty's The Informer (# 117)
O'Hara's Appointment in Samarra (# 81) and Butterfield 8 (# 128)
O'Neill's Thirst (# 71)
Percy's The Moviegoer (# 182)
Plath's The Bell Jar (# 18)
Poe's The Raven (# 56) and Mesmerism (# 195)
Powell's What's Become of Waring? (# 163)
Pynchon's V (# 93) and Gravity's Rainbow (# 4)
Roberts' Arundel (# 178)
Rohmer's The Day the World Ended (# 33)
Sabatini's Captain Blood (# 192)
Salinger's The Catcher in the Rye (# 47) and Nine Stories (# 155)
Schulberg's What Makes Sammy Run? (# 98)
Shakespeare's The Tragedie of Julius Caesar (# 69)
Sharp's The Rescuers (# 14)
Shelley's Frankentstein (# 126)
Sinclair's The Jungle (# 139)
Steinbeck's Cup of Gold (# 89), Tortilla Flat (# 66), Nothing So Monstrous (# 164), Of Mice and Men (# 127), and The Grapes of Wrath (# 13)
Stevenson's Treasure Island (# 206) and Dr. Jekyll and Mr. Hyde (# 154)
Stout's Fer-De-Lance (# 174)
Stowe's Uncle Tom's Cabin (# 217)
Tarkington's Penrod (# 12)
Thackeray's The History of Pendennis (# 49)
Thomas' Quite Early One Morning (# 65)
Thompson's Fear and Loathing in Las Vegas (# 50)
Thompson's Now and On Earth (# 188) and Heed the Thunder (# 113)
Tolkien's The Hobbit (# 228), The Lord of the Rings (# 100) and The Adventures of Tom Bombadil (# 37)
Travers' Mary Poppins (# 193)
Twain's The Adventures of Tom Sawyer (# 21), The Adventures of Huckleberry Finn (# 67), and A Connecticut Yankee in King Arthur's Court (# 109)
Updike's Rabbit Run (# 68)
Van Gulik's Dee Goong An (# 62)
Vonnegut's Slaughterhouse-Five (# 70)
Walker's The Color Purple (# 80)
Ward's Base-Ball (# 209)
Webb's The Garies and Their Friends (# 186)
Wells' The Island of Dr. Moreau (# 75) and The War of the Worlds (# 28)
Welsh's Trainspotting (# 110)
Welty's The Robber Bridegroom (# 102)
West's A Cool Million (# 86)
Wharton's Artemis to Actaeon (# 156)
White's Charlotte's Web (# 118)
White's Happy Valley (# 99)
White's The Sword in the Stone (# 204)
Whitman's As a Strong Bird on Pinion's Free (# 131)Wilde's The Picture of Dorian Gray (#s 63 & 214) and The Ballad of Reading Gaol (# 177)
Williams' Paterson (# 169)
Woolf's The Voyage Out (# 51) and To the Lighthouse (# 6)
Wouk's The Caine Mutiny (# 19)Wright's Native Son (# 213)
Wyss' Swiss Family Robinson (# 171)

[BTC #69391]

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